| Offene Türen | ||||
|---|---|---|---|---|
| Studio album by Hans-Joachim Roedelius | ||||
| Released | 1982 | |||
| Genre | Kosmische Musik New Age Music Electronic music Ambient Music |
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| Length | 39:41 | |||
| Label | Sky Records | |||
| Producer | Hans-Joachim Roedelius | |||
| Hans-Joachim Roedelius chronology | ||||
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Offene Türen (German for "Opening Doors") is the eighth solo album by German keyboardist Hans-Joachim Roedelius, best known for his work with Cluster, Harmonia, and Aquarello. The music of Offene Türen is more avant-garde than other Roedelius solo albums of the 1970s and 1980s. It can best be compared to Cluster's Curiosum which was released by Sky Records that same year[1][2].
Contents |
Offene Türen was recorded at Roedelius' home studio and at Erpelstudio, Vienna, Austria[3]. The album was first released by Sky Records on vinyl LP in 1981[4]. Two tracks, "Besucher Im Traum" and "Auf der Höhe", were included on the Sky Records compilation Auf leisen Sohlen - Das Beste Von H. J. Roedelius (1978 - 1982) which was first released on LP in 1984 and reissued on CD in 1994[5][6]. This represented the first time any tracks from Offene Türen appeared on CD. The complete album was released on CD by Nepenthe Music in December, 2009[2]. The reissue includes liner notes by Stephen Iliffe[7], the author of Roedelius' biography, Painting with Sound: The Life and Music of Hans-Joachim Roedelius[2] and was remastered by Robert Rich[7].
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| Review scores | |
| Source | Rating |
| Allmusic | [8] |
Piero Scaruffi, writing (in Italian) on the online version of his History of Rock Music, describes Offene Türen as "austere" and rates it as "the masterpiece" of Roedelius' early works[9]. The review for the Babyblaue Prog website, written (in German) by Jochen Rindfrey, describes the album (in part):
"...Offene Türen shows a more avant-garde side. The pieces in their brevity are often sketchy, acting as sound miniatures [...] The instrumentation is minimal with origins in the Selbstportrait series, with sound effects backing the Farfisa organ. There are also songs like 'Allemande,' which sounds a bit like a burlesque folk dance, or 'Abenteuerliche Begegnung' and 'Besucher im Traum' which resemble in their romantic mood more typical Roedelius music."[1]